חיים בשירות האומנות – דיוקן של אימרה פאן (1972-1904) (אנגלית)

Júlia Cserba [ * 176 ] ISstands out among its peer Hungarian avant - garde journals” . Its significance is further enhanced by the fact that the siblings undertook the printing of their publication in a socially and politically threatening environment whose inward - looking official cultural policy was characterized by conservatism and radical nationalism . In Hungary in the 1920 s, the circle of people thinking in terms of a universal European culture was limited to a rather close group, since a large segment of the leftist, progressive writers and artists had, by necessity, been forced to live and work not in Budapest, but in Vienna, Berlin, and Paris . In addition to the masses forced into political immigration, young Jews were also driven abroad in vast numbers by their exclusion from further study in Hungary, due to the numerus clausus law, which placed limits on the number of minority students at university . The numerus clausus law unfortunately applied to both Imre ( at the tim...  אל הספר
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